Art DATIS

Publications

Watch this video and meet two of our project partners: Durk Valkema and Anna Carlgren.

 

Anna Carlgren, “Pleidooi voor nalaten”, KM 108, 2018, pp. 16-18

 

M.M.A. Hendriksen, “Digitale Methoden in Kunsthistorisch Onderzoek: Kansen en Aandachtspunten,” Article 20 (Mei 2018): 4–7.

 

M.M.A. Hendriksen, “Building the ARTECHNE Database: How to Develop a Multi-Purpose Database for an Interdisciplinary Project“, IDEAH, Volume 1, Issue 1, 2020, 1-13. DOI: 10.21428/f1f23564.e6779c76.

 

Vera Provatorova, Svitlana Vakulenko, Evangelos Kanoulas, Koen Dercksen, Johannes M. van Hulst, “Named Entity Recognition and Linking on Historical Newspapers: UvA.ILPS & REL at CLEF HIPE 2020.” CLEF (Working Notes) 2020

 

Vera Provatorova, Samarth Bharav, Svitlana Vakulenko, and Evangelos Kanoulas, “Robustness Evaluation of Entity Disambiguation Using Prior Probes: the Case of Entity Overshadowing”, In Proceedings of the 2021 Conference on Empirical Methods in Natural Language Processing (EMNLP’21). ArXiV

 

Capurro, Carlotta, Vera Provatorova, Sven Dupré, Marieke M. A. Hendriksen, and Evangelos Kanoulas. ‘Chasing the Model. Experimenting With Training a Neural Network to Recognise Text in a Multi-Language and Multi-Authored Handwritten Document Collection’. In DHNB2023 Book of Abstracts, 18–19. Stavanger, Bergen, Oslo and Online, 2023. https://pure.au.dk/portal/files/313304935/DHNB2023_BookofAbstracts.pdf#page=40

 

Capurro, Carlotta, Vera Provatorova, and Evangelos Kanoulas. ‘Experimenting with Training a Neural Network in Transkribus to Recognise Text in a Multilingual and Multi-Authored Manuscript Collection’. Heritage 6, no. 12 (December 2023): 7482–94. https://doi.org/10.3390/heritage6120392.

 

 

Related Publications:

 

Sven Dupré, Thijs Hagendijk and Marcia Vilarigues, “Materials, Furnaces, and Texts: How to Write about Making Glass Colours in the Seventeenth Century”, Ambix, vol. 67, 2020, pp. 323-345.

 

M.M.A. Hendriksen, ‘Necessary, not sufficient: The circulation of knowledge about stained glass in the northern Netherlands, 1650–1821’. Nuncius. Journal of the Material and Visual History of Science. Vol. 31:2, 2016, pp. 332 – 360.

 

Sven Dupré, “The Art of Glassmaking and the Nature of Stones: The Role of Imitation in Anselm De Boodt’s Classification of Stones” in Isabella Augart, Maurice Sass, and Iris Wenderholm (eds.), Steinformen: Materialität, Qualität, Imitation, Berlin & Boston: De Gruyter, 2018, pp. 207-220.

 

Sven Dupré, “The Value of Glass and the Translation of Artisanal Knowledge in Early Modern Antwerp”, in Bart Ramakers, Christine Göttler, and Joanna Woodall (eds.), Trading Values in Early Modern Antwerp, Netherlands Yearbook for Art History, Leiden and Boston, Brill, 2014, pp. 138-161

 

Sven Dupré, “Galileo and the Culture of Glass”, in Andrea Albrecht, Giovanna Cordibella, and Volker Remmert (eds.), Tintenfass und Teleskop. Galileo Galilei im Schnittpunkt wissenschaftlicher, literarischer und visueller Kulturen im europäischen 17. Jahrhundert, Berlin and Boston, De Gruyter, 2014, pp. 297-319.

 

Sven Dupré, “Trading Luxury Glass, Picturing Collections and Consuming Objects of Knowledge in Early Seventeenth-Century Antwerp”, Intellectual History Review, vol. 20, 2010, pp. 53-78.